[featured artist]: Jon Redmond!

"Evening in West Chester" by Jon Redmond
“Evening in West Chester” by Jon Redmond

Jon Redmond has been described as a “poet of light and shadow” and I would say that’s a pretty accurate description. This guy’s work is absolutely out-there-amazing! The way Jon can simplify a scene, quite like Edward Hopper, keeps his paintings contemporary and unique in style. Each and every one of his paintings is unreal! This is only one of the paintings that Jon is exhibiting at the Somerville Manning Gallery located in Greenville, DE. There are so many wonderful paintings it was difficult to choose only one! If you’re anywhere near Greenville, DE, make your way to his show if at all possible! The opening reception is Friday (today!!) and the show runs through October 12, 2013. If you aren’t in the area, then check out Jon’s work on the gallery’s website!

There is a great article posted on Somerville Manning Gallery’s website, here’s a blip from that article in American Art Collector magazine… use the link below to read the full article…

The Collector Says…

“Jon Redmond is a poet of light and shadow, whose paintings reflect a range from the clarity of Vermeer to the palette of an impressionist. He is a master at capturing the natural beauty and wonder of the Brandywine Valley, and he has also encompassed the essence of landmarks and scenery he has encountered in his travels to Philadelphia and Maine”

– Dr. David Nalin

Click here for the original Jon Redmond – American Art Collector article

F L A S H B A C K

O N E   Y E A R   A G O…  Resurrection Fern… thought I was losing it!

T W O   Y E A R S   A G O… Artist to watch… Jack Goldsmith!

Catch you back here tomorrow!

Image via SomervilleManning.com

Featured Artist (and SEWE artist!)… Mark Horton!

MarkHorton OnTheRoad sewe

On The Road by Mark Horton 

Part of the Southeastern Wildlife Expo

{image}

Mark has one cool style. Known mainly for his landscapes they draw you in and capture you. His marsh scenes are an exquisite view of what the Charleston area is really all about. Look at this painting… don’t you feel like you’re about to embark on a hiking adventure in the woods? Whew, I do… I think I burned a few extra calories just thinking about it, ha ha…

On occasion Mark gives workshops, so be sure to check out the gallery website to see when one is coming up. If you’re an artist, I’m sure it’ll be one that you will find both informative AND lots of fun!

The Southeastern Wildlife Expo (SEWE) will be sweeping into town soon. Very soon. Come February 15-17 Charleston will be hopping… even more than normal! People come from all over the world to attend. Read a little more about SEWE from their website… check it out, great photos and information!

Now in its 30th year, the Southeastern Wildlife Exposition has grown to be the largest event of its kind in the nation, attracting over 500 artists and exhibitors from around the globe who present their offerings to over 40,000 attendees. A 3-day celebration of nature that has earned a reputation for excellence, SEWE now hosts the world’s foremost experts in wildlife and nature art, as well as conservation research and environmental education. 

Established in 1982, the first Southeastern Wildlife Exposition took place in February of 1983, with approximately 100 exhibitors and 5,000 people in attendance. Its goal was, and is, to produce an event which contributes significantly to the economy while promoting the conservation and preservation of nature and wildlife through its educational outreach programs and its focus on the visual arts. 

The Southeastern Wildlife Exposition is a critical part of the South Carolina and Charleston calendar. Run with the utmost professionalism and pride, an effort that began as a small winter diversion has now become the largest annual event to take place in South Carolina and one of the most popular and successful events in the country.

View the 2013 Southeastern Wildlife Expo brochure

Here’s a blip about Mark from the gallery website, I think you’ll have to agree with me that Mark is one accomplished dude… and on top of being exquisite at what he does, he’s a super nice guy. Someone that you really enjoy talking to. Now for the blip…

Mark Kelvin Horton was born and raised in rural North Carolina. After graduating from East Carolina University School of Art in 1983, Horton moved to New York City to begin a career in advertising and design. He carried with him the dream of someday becoming a painter.

Eighteen years of living in New York were spent working as a creative director in various advertising agencies and eventually founding his own design company. Those years also provided an invaluable opportunity for Horton to view and study firsthand the seemingly endless number of masterworks of art in the city’s museums and galleries. Horton became particularly fascinated with the works of George Inness, Herman Herzog, Frederick Church and the tonalist photographer, Edward Steichen. He was also captivated by the realism of John Singer Sargent and Winslow Homer as well as the romantic landscapes of the Hudson River School painters. The experience had a profound effect on his artistic development.

During his years working as an artistic director and designer, Horton continued to nurture his “fine art side”, drawing, sketching and painting whenever he had the opportunity. In early 2001 Horton made the decision to devote himself full-time to painting. He left New York City and returned to his Southern roots, moving to Charleston, South Carolina.

Horton is particularly fascinated with the effects of light and weather upon the landscape. He paints beyond a literal interpretation of a scene to portray nature in a way that reflects his own ideas and sensibilities while capturing the spirit, color and changing light of a place.

If you can’t make it to the Southeastern Wildlife Exposition, check out the Horton Hayes Gallery website, and if you’re ever in Charleston, SC that is one gallery that you must pop in to. You won’t be disappointed!

Catch you back here tomorrow!

Weatherbeaten: Winslow Homer and Maine – at the Portland Museum!

WEATHERBEATEN: Winslow Homer and Maine. What a show this will be and it all begins T O M O R R O W ! If you happen to be in the Portland, Maine area anywhere between September 22, 2012 and December 30, 2012 you might want to pop in to see a chance of a lifetime exhibit! You also have the option to check out Winslow Homer’s studio! Ticket information below…

“One of the Best Museum Shows of 2012” – Fodors.com

From the Portland Museum website:

To celebrate the opening of the newly renovated Winslow Homer Studio at Prouts Neck, the Portland Museum of Art presentsWeatherbeaten: Winslow Homer and Maine. This extraordinary exhibition showcases more than 35 masterpieces that the great American artist Winslow Homer (1836-1910) created during the final decades of his life, when he lived and worked in Maine. Inspired by the rugged beauty and changeable weather along the coast at Prouts Neck, Homer painted powerful marine narratives and seascapes that capture the specificity of place with vivid intensity, while also investigating existential themes of life and death, of humankind’s relationship with the natural world. Highly admired for their originality and sense of authenticity, these paintings helped to establish an iconic image of the New England coast in the national imagination-one that endures to the present day.

Weatherbeaten provides a once-in-a-lifetime opportunity to explore the range and complexity of Homer’s most critically acclaimed works. The featured paintings, watercolors, and etchings are drawn from private collections and museums throughout the country-including the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts (Philadelphia), the Smithsonian American Art Museum (Washington, D.C.), and the Sterling and Francine Clark Art Institute (Williamstown, Massachusetts). The Portland Museum of Art is the only venue for this important exhibition.

Tickets to the Exhibition-Please call, (207) 775-6148. 

  • Advance reservations are recommended. Members receive FREE tickets and admission is based on level of membership. Click here for ticket details for members. Not a member?  Join Today »
  • Advance reservations are recommended for the public. There is a $5 special exhibition surcharge added to each adult admission.
  • Adult groups tours: Tours must be a minimum of 10 people to receive the group rate of $10 per person. An additional $25 flat fee will be applied for a Docent led tour. Tour time slots are available at 2:15 p.m. and 3:15 p.m., Mon. through Sun. Reservations are required and tours are limited. For tickets, please call (207) 775-6148. 

Corporate sponsorship is provided by Bank of America. Foundation support is provided by The Henry Luce Foundation and by a grant from the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. Media support is provided by WCSH 6, The Portland Press Herald/Maine Sunday Telegram, and the Maine Public Broadcasting Network. This exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities.

Winslow Homer’s Studio

Catch you back here tomorrow!

Images: PortlandMuseum.org

Featured Artist… Colin Page!

“Underneath” by Colin Page – Image: DowlingWalsh.com

I’ve featured Colin a few times over the past few years. His work is outstanding, and now… some of his paintings have a new twist. Edgy. I am really liking his new work, I love this painting, how you see “underneath”… its wonderful how he can mix a  traditional painting with some abstractness to come up with something totally unique, that works so well! If you haven’t checked out Colin’s website in the past, I highly encourage you to do so. Colin is an amazing person. He gave a workshop in Charleston, SC this past spring that was a huge hit, everyone loved him, and thought he was a fabulous teacher! Oh! I don’t want to forget to mention his JOURNAL. Full of great information, it’s a “must read” if you love art!

Colin’s show opens at the Dowling Walsh Gallery in Rockland, Maine TODAY! The opening reception is from 5-8PM, so if you’re in the area, give his work a peek! You will be thrilled that you did. The Dowling Walsh Gallery is a nice place to hang out and check out some of the best art around. Colin’s show starts today, August 3rd through August 26, 2012. I hope every painting has a red dot!

Look at this piece… (to me) it’s reminiscent of a painting done by Charles Movalli entitled, THE PATRIOT, oh how we loved that painting… if memory serves me correctly it was the stern of a sailboat, and an American flag, those two things I remember… it was big and it was at Bayview Gallery in Camden, ME many years ago. I’ll never forget that piece!

“Angelique” is one classy painting, with the dark hull, the dark water with pops of the sky and the pop of the flag… whoa!

“Angelique” by Colin Page – Image: DowlingWalsh.com

If you’re lucky enough to make it to the show, let me know how you liked it! It’s going to be fabulous! Read more about Colin on the Dowling Walsh website (fabulous website!), so much to read! Catch you back here tomorrow!

Rembrandt and the face of Jesus exhibit… Paris, Philly then Detroit…

Head of Christ, Rembrandt, mid 1600’s

Rembrandt and the face of Jesus… what a facinating exhibit that will be! It’s been in Paris, is now at the Philadelphia Museum of Art (through October), and then to Detroit Institute of Arts in November. If you’re near any of these locations stop in, I think it will be an exhibit you won’t want to miss! Here’s a blip from Philadelphia Museum of Art:

Rembrandt van Rijn (1606–1669) is universally acclaimed as the greatest master painter of the Dutch Golden Age, the 17th-century efflorescence of art in the Netherlands. Thanks to an inventory of his home and studio conducted in July 1656, we know that Rembrandt kept in his bedroom two of his own paintings called Head of Christ. A third painting—identified as a “Head of Christ, from life”—was found in a bin in Rembrandt’s studio, awaiting use as a model for a New Testament composition. Today, seven paintings survive (from what was likely eight originally) that fit this description, all painted by Rembrandt and his pupils between 1643 and 1655. Bust-length portraits, they show the same young man familiar from traditional artistic conceptions of Christ, yet each figure also bears a slightly different expression. In posing an ethnographically correct model and using a human face to depict Jesus, Rembrandt overturned the entire history of Christian art, which had previously relied on rigidly copied prototypes for Christ.This exhibition, the first Rembrandt exhibition in Philadelphia since 1932 and the first ever in the city to include paintings by the Dutch master, reunites the seven paintings of this exceedingly rare and singular series for the first time since 1656. Of these portraits, three are being seen in the United States for the first time. Complemented by more than fifty related paintings, prints, and drawings, Rembrandt and the Face of Jesus allows visitors to consider the religious, historic, and artistic significance of these works. Objects of private reflection for Rembrandt, the paintings in this exhibition bear witness to Rembrandt’s iconoclasm and his search for a meditative ideal. In addition to major paintings, many of the selected drawings in this exhibition have been rarely exhibited or lent owing to their light-sensitivity and fragility. Indeed, never before have so many of Rembrandt’s finest paintings, etchings, and drawings that depict Jesus Christ and events of his life been assembled for an exhibition. Organizers and SupportThis exhibition is organized by the Philadelphia Museum of Art, the Musée du Louvre, Paris, and the Detroit Institute of Arts. In Philadelphia, the exhibition is made possible by The Pew Charitable Trusts and the Robert Montgomery Scott Fund for Exhibitions and by an indemnity from the Federal Council on the Arts and the Humanities. Additional support is provided by Carol Elizabeth Ware and the Marian S. Ware 2006 Charitable Lead Annuity Trust and by generous individuals. Funding for conservation was provided by the Samuel H. Kress Foundation.

 Curator

Lloyd DeWitt • Associate Curator of European Painting before 1900 Location

Dorrance Special Exhibition Galleries, first floor Itinerary

Musée du Louvre, Paris • April to July 2011
Philadelphia Museum of Art • August to October 2011
The Detroit Institute of Arts • November 2011 to February 2012

 Catch you back here tomorrow!