Featured artist… Tom Soltesz!

“Down The Street And Across The Bay” by Tom Soltesz

I ran across Tom’s work years and years ago… I was on a California plein air website and there were so many artists it was hard to fathom! When I looked at his work I fell in love with it!  I love his bold strokes and his subject matter. He did a painting of some trees in Muir Woods years ago that was just out of this world! I still remember that painting. He’s got an interesting story… can you imagine KNOWING you’re going to be a professional artist at age 7? Yep, me either!

You’ll see on Tom’s website that he also give workshops. He even gives weekend workshops for $100! How tempting! Might be a great time for a little vacation to Califor-knee-eye-A!

A blip about Tom from his website:

 In 1954, Tom was born in a small coal-mining town in western Pennsylvania.  There were little or no cultural influences.  At the age of 7 Tom decided to become a professional artist.  He believed that to be an artist came naturally, and that involved little effort.  This was his first major misconception.  Living in a town of less than 5,000 he received little artistic training, and since Tom was from a family of 7 children, being sent to art school was out of the question.  Upon graduation from high school and being voted “most artistic” of his class,  Tom moved to Florida where he talked his way into a job painting billboards for Florida Outdoor Advertising.  In one year, Tom became their top pictorial artist.  After one more year Tom decided there was little chance of growth.  In 1974, he moved to Denver, Colorado and he enrolled in the Colorado Institute of Art where he received a degree in Advertising and Design.  He freelanced his way through college and graduated with a professional portfolio and since he still had the wonder-lust for travel, Tom moved to Manila, Philippines and started a graphic design studio.  He had by now become a painter/designer, and he worked in watercolors and designing logos, packaging, and ad campaigns for some of the biggest companies in South East Asia.  From Manila he moved to Hong Kong to manage the studio of a major designer.  Tom continued to paint and draw while he freelanced for various companies in both Hong Kong and the Philippines.  He was greatly influenced by the artists of the Philippines, both landscape and figurative, especially by the Philippine artist known by the name of Amorsolo.  Tom was asked to move to Papua New Guinea to upgrade the corporate image of San Miguel Beer Corporation, but since there were little social activities in New Guinea, he continued to develop his painting abilities.  In 1981 Tom decided to return to the U.S. and further educate himself as a painter.  He enrolled in the Academy of Art College in San Francisco and studied illustration and fine art.  Tom freelanced his way through the academy and graduated with knowledge of a variety of illustration and painting techniques.  He decided the only way to continue to paint in the various styles that he enjoyed, was to service a diversity of clients.  Tom started working with interior designers by supplying them with custom paintings, murals and screens, and he worked on hotels, restaurants, and residential projects.  He has been involved in projects in a number of countries and has supplied clients with room art custom painting, murals, and tromp L’oeil.  Tom is represented by numerous galleries in California.  His fine art oils are mainly landscapes and florals, however he also does figurative works.  Tom teaches plein air landscape painting, an Artist member of the California Art Club, and The Baywood Group of painters which is a socially active environmental group of landscape painters. Tom recently won “Best in Show” at the annual San Luis Obispo Plien air festival and an “honorable mention “at the 2005 Carmel art festival. Tom was recently featured in the April issue of South West Art magazine, and the April issue of The Artist’s Magazine 2007. Tom has many collectors in the United States and abroad and continues to develop into one of the most important landscape painters in the U.S.

Catch you back here tomorrow!

Featured Artist… Jerry Weiss!

“Morning, Raspberry Island, Maine” by Jerry Weiss / Image: JerryWeiss.com

I think by now there isn’t a soul alive who doesn’t know how much Fred and I LOVE Maine art… one day we were downtown (Charleston, SC) going in our usual galleries, when we walked by a painting that we recognized. My husband said “that’s Raspberry Island!!” and we hear a voice that said… “you’re right!” whoa! We went in this wonderful gallery called Ingram Fine Art & Antiques… FABULOUS work mostly by Maine artists. Artists who we have met on Monhegan Island in Maine, or who’s work we’ve seen in other places as we bopped around Maine. How utterly cool that they were right here in Charleston! We spoke to one of the owners for quite a while and she was such a delight to talk to… it made us really miss Maine and really LOVE her gallery. If you’re in the area I highly encourage you to pop in and say hello and check out all the beautiful things they’ve got in their gallery!

Jerry Weiss is a fabulous artist, this is a large painting (30 x 40) and is splendid in every way! I love the shadow of the island in the water, and they sky, and… and… and… I guess it caught both of our eyes because a few years ago we rented a cottage in Port Clyde, ME, that faced Raspberry Island, so this was our view! I love the loose strokes… I swear, we need to build more walls in our house, ha ha… Here’s a blip about Jerry from his website… or click HERE to read a different version from Ingram Art & Antiques! I love learning about the artist! If you aren’t in the Charleston area, check out Jerry’s website, it’s a great one!

Seeking competence in figure painting, I spent the better part of six years drawing and painting the figure in art school, and after leaving, continued the notion of the figure in the interior. My goal was to create a visual diary that would be a pictorial record of artists and friends. Then, as now, I was intrigued by the portrait and figure as a most sacred subject.

As a landscape painter I was self-taught, and I struggled for a long time to find my vocabulary. It took many years for me to realize a structural approach, looking for the anatomy that exists in landscape as it surely does in the human subject. Since moving to Connecticut in 1994 and painting outdoors in earnest, I have become better at emphasizing abstraction of shapes. I want to refer to the individuality of the subject, those characteristics which render a person or place unique. For me this also means not merely noting the external beauty of things, but going after something a bit deeper. Put another way, I try to paint temporal qualities, but composed in such as way as to render them timeless.

Evident in my work is an enchantment with the feminine, fascination with psychological nuances, and love for the natural and architectonic shapes of landscape. I am amazed by the color of skin, continually gratified to recognize bone and muscle beneath the surface, and delighted by the powerful forms underlying the Maine coast and Connecticut River Valley. If I may be permitted understatement, I also like light, without which there would exist no space, form or visual coherence.

Catch you back here tomorrow!

Artist to watch… Betty Anglin Smith! October Skies show opens Friday!

Image: SmithKillian.com

Talk about spectacular paintings. Ohmygosh! I love Betty’s work. I love her style, her GREAT colors and fantastic subject matter. Most of the time what Betty paints is what she looks at from her studio, on the water in Meggett, SC. A setting that makes you think you’re back in time with the big old oak trees, the water, the cottage that has been restored beyond preciousness… the fabulous porch, the backyard, it’s a mecca of beauty! The most perfect spot for an artist to paint!

Betty’s paintings have presence. You notice them. They’re beautiful on brown walls :), they’re beautiful on ANY color wall! My husband and I are both big fans. We have so many favorites, well, Betty is just one of our very special favorite artists. You know how I’ve mentioned before that we just can’t buy a painting from someone we don’t admire, respect or at least like? Betty is the absolute nicest woman, she’s a blast to talk to, we love catching up with her about her painting trips around the country. Check out their (Betty and her triplet kids, two painters and a photographer, all amazing!) website, they’re in a gorgeous gallery downtown Charleston, SC. It’s like a movie set, a perfect backdrop for beautiful paintings!

If you’re in Charleston you simply cannot miss Betty’s show… OCTOBER SKIES will be in the gallery for the art walk on October 7, 2011… check with the gallery if you have any questions. Click HERE to go to the Smith Killian Gallery website.

A blip about the artist from the Smith Killian Website:

A native of the Carolinas, Smith has firmly established herself in Charleston’s artistic community. With a style consisting of large brush strokes and bold, vibrant colors, Smith has grown exceptionally accomplished at capturing the expansive marsh vistas, beaches and waterways that are an integral part of the Lowcountry landscape. Following the birth of her children, who incidentally are triplets, Smith enrolled in art classes at the Gibbes Museum of Art in downtown Charleston, where she further developed her love of painting. “I really became serious about it immediately”, Smith recalls. “It was like a part of me that I had not been able to fulfill yet. I was lost in it.” For the past twenty-five years, Smith has dedicated herself to painting, and though her subject matter frequently reflects the Lowcountry landscape, her success has far outgrown the confines of South Carolina. Her work has been shown in prominent galleries across the nation, from New York, Washington D.C. and Martha’s Vineyard, MA, to San Francisco, and Carmel, CA. In addition, many of her pieces are included in some of the nation’s finest corporate collections such as Walt Disney World, IBM, and Johnson and Johnson. But despite being a native of South Carolina, her love of broad and encompassing landscapes, which are frequently the subject of her work, grew out of a trip she took to Santa Fe, New Mexico in the late seventies. The tidal landscapes of the Lowcountry presented Smith with different challenges to the ones she encountered in New Mexico. Rocky Mountains, awe-inspiring canyons and windswept deserts were suddenly replaced with mile-upon-mile of flat marshland – a world seemingly void of the diagonal lines that artists use to balance a painting and add depth. Seeking out diagonal lines in a predominantly flat environment forced Smith to examine the Lowcountry more closely. It was then that she discovered that the lines were to be found in the colorful shifting clouds and meandering creeks. Using large brushstrokes and eye-catching colors, Smith has grown adept at capturing not just the physical nature of a place, but the feeling as well. Her paintings, whether they depict vibrant sunsets or the sweeping expanses of the Lowcountry marshland, give the viewer a sense of the immediacy of the moment as though Smith, working against the clock, was able to capture the essence of her subject. “I can’t emphasize enough just how much I want my work to look quick, impulsive, and spontaneous, like it just happened and flowed, as opposed to appearing overworked”, Smith explains. She adds that the bold colors she uses give the paintings an element of surprise “so that you are not looking at something you have seen a thousand times before. It is making you more aware of the colors that are actually in the landscape”, Smith explains. “These colors are there, I just exaggerate them as much as possible. I want my work to be expressionistic, whilst also remaining in the realm of reality.”

See you at the art walk! Catch you back here tomorrow!