Featured Artist… Christina Body!

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American Classic by Christina Body

What is it about paintings of an Airstream? The neat reflections that bounce off it? The happy memories they might bring back? Whatever it is, it seems that everyone is enchanted by an Airstream painting… This is a nice one by Christina Body… love the flamingos!

I think it is so interesting when artists show what they’re painting along with the actual painting. It’s neat to see what they see and how they can transform the canvas and make it so much more interesting than real life! See what I mean?

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Christina Body calls this “Painting a Silver Twinkie” – sense of humor, I like it!

This painting has already sold, but I just had to show you! Christina paints a wide variety of subjects. If you aren’t familiar with her work, check it out!

Read a blip about Christina from her website:

“There is nothing more exciting in my life than ‘seeing’ something to paint” – stopping dead in my tracks and saying “I’ve got to paint that!  City life, boats in a harbor or my son in my arms my heart pounds with inspiration and excitement from the onset of the idea until the final stroke on canvas. I paint what I know, what I love and new people and places that strike my heart… “

Christina has been making art since childhood. Strongly influenced by her Great Uncle and First Uncle she became familiar and comfortable with many forms of art. Charcoal and Sumi ink drawings, watercolor, acrylic and oil painting, woodcarving and sculpture. She experienced first hand the passion to make art and the excitement in experimenting in multi-medias. It was the beginning of how she would forever see the world. 

Christina’s formal training began with an art scholarship under the mentorship of professor emeritus Robert Paulson at Southern Illinois University. It was in Carbondale, IL that she had her first plein air (outdoor) painting classes. It was Robert Paulson that taught his students how to capture fleeting light, compare values and temperature, and see the big shapes. And uniquely he also inspired his students to not always paint exactly what you see but to paint how you feel about your subject and environment.

After receiving a Bachelor of Fine Arts Degree in painting and minors in Photography and Theatre from SIU she continued her studies at the American Academy of Art and the acclaimed Palette and Chisel Academy of Fine Arts in Chicago and under the tutelage of renowned artists David Leffell, Ken Auster and Henry Yan. Inspiration also came from her extended stays plein air painting in Key West, Jamaica and travels abroad. Christina’s inspirations consist of notable artists Winslow Homer, John Singer Sargent, Joaquin Sorolla, and the early twentieth century artists of the Ashcan School. She paints in oils both ‘en plein air’ and in her studio from models, sketches, oil studies and photographs.  

“My passion to make paintings has only grown stronger after having my children. The love I feel mothering my children and making a painting are parallel; I can’t see myself any other way. I feel an urgency to paint and a directness that I didn’t feel before I had my kids. My time is precious as well as my aspirations. When I paint I wear my ‘mental suit’ armed with confidence, clarity, excitement and spirituality. When I connect with my subject everything else around me becomes a blur. Raising and caring for my children has enlightened me and the way I see and opens up new doors everyday. Children and painting together is a stream of rewarding moments. I am truly grateful.”

Christina’s award winning paintings have earned her participation in juried shows and national plein air painting competitions and invitational’s, including ‘2008 Plein Air Festival, Door County, WI and ‘2007 Plein Air Easton’, in Easton, Maryland. Most recent awards include “Best of Show” at the 65th Annual Salon Show, at Bachman Gallery, in Munster, IN and two “Honorable Mentions” at the Cedarburg Plein Air Painting Festival, in Cedarburg WI. In May 2008 Body’s solo exhibition “Chicago in a Blink” at The Palette and Chisel Academy of Fine Arts was reviewed by Chicago Art Critic Alan Artner in the Chicago Tribune – a first for The Palette and Chisel Academy in 100 years. Her work has been published in American Art magazine and is included in Northwestern Memorial Hospital’s corporate art collection in Chicago.

Christina is a founding member of the Plein Air Painters of Chicago, a member of Oil Painters of America, International Plein Air Painters and an Artist Member of The Palette and Chisel Academy of Fine Arts, in Chicago. She exhibits her work in galleries and juried exhibitions nationally and her paintings hang in corporate, public and private collections worldwide. Christina resides in Chicago with her husband Jake and sons Emil and Walter.

Catch you back here tomorrow!

Featured Artist… Matt Smith!

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“At Home in the Canyon” by Matt Smith

“AT HOME IN THE CANYON” is an amazing piece. I love how the little bird is in that big open space. He looks like king of the castle. The light is fabulous, the rocks are rugged and some of the best i’ve seen… and that moving water… nice!

Here’s a blip about Matt from his website:

BIOGRAPHY

Matt Smith was born in Kansas City, Missouri in 1960.  At an early age he moved to  Arizona.  He later moved to Europe where he lived two years in France and one in Switzerland. In subsequent years Smith painted in Germany, Austria and Italy.  Smith has lived most of his life in Arizona, where he has a deep attachment and respect for the Sonoran Desert.

Smith graduated from Arizona State University with a Bachelor of Fine Arts degree in painting.  He spent a vast amount of time studying the traditional styles of such landscapes masters as Maynard Dixon, William Herbert Dunton and Edgar Payne.

Most of the time, Smith can be found painting en plein air from southern Arizona to the Canadian Rockies.  He also paints the California coast to the mountains of Colorado. “I appreciate traditional landscape painting and I am inspired by the pristine landscapes of the American West.  I enjoy working in areas where one can travel for miles without seeing the influence of man.  When I paint, I feel I’ve hit the mark when I’ve captured a balance between mood, look and feel.  You know you’ve succeeded when viewers sense the desert heat or the chill of a mountain snowfall.”  

Smith currently lives in Arizona with his wife, Tracy, who is also a painter.

Catch you back here tomorrow!

Time to move the pavers… Gotta save the oak tree!

before

We had pavers that have been down for years. They’re beautiful, but… they’re close to a live oak tree… the roots are getting big and uprooting the pavers. It’s become a challenge to walk across them. I Googled to be sure it was OK to cut the roots. Whoa, am I ever glad I did! No, it’s not ok to cut the roots… it can weaken the tree and if you have a big wind it can topple the tree. AHHHH! So, Fred has begun the process of digging up the pavers and MOVING THEM. The man has energy like I’ve never seen.

 

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Here it is in progress… will post another once it’s completed! The yard is low right here and tends to flood during big rains, so we’re going to build it up a wee bit. We will have a happy tree and a beautiful walkway soon! Stay tuned!

Catch you back here tomorrow!

Featured Artist… Mark D. Nelson!

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Mark D. Nelson. A fabulous artist and I wish I knew how I ran across him… I wrote his name down in my day planner, as I do any artist who pops up who’s work I truly admire and I want to feature. Is this striking or what?! I am loving that GORGEOUS orange, the delicate yellow flower POPS against the dark background. This is fabulous on so many levels! Mark has the innate ability to add a modern twist to a painting. I would like to be able to paint like this. But I know me. I would cover up all the color from underneath that I love peeking through… I do it every stinking time. One day…

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You can FEEL the chilliness of this ride… Oooh, I’m looking forward to getting to the sunlight 😉  Fabulous without being tight…

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“Trees” by Mark D. Nelson – Image: Gallery 1261

Need I say… I LOVE THAT ORANGE… mental note Barbara… orange against the darks is making my heart sing! LOVING this!

Here’s a blip about Mark from the Gallery 1261 (Denver, CO) website:

As a high school student, Mark Daniel Nelson was awarded the prestigious National Scholastics Art Scholarship, which he used to attend the Colorado Institute of Art. Graduating with Best Portfolio honors, Nelson earned a living as an illustrator working for clients including Coors, University of Denver, The Miami Herald, 5280 Magazine, and legendary photographer James Balog.

Nelson has since shifted his artistic focus to painting abstract geometric forms – natural as well as structural – in pursuit of what he terms “a contemporary sublime”. Nelson’s work has been placed in a number of prominent regional and national collections and has been displayed at the Museum of Contemporary Art in Denver.

Catch you back here tomorrow!

(First two images from artists Facebook page)

Featured Artist James Richards!

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Gloucester Harbor by James Richards

James Richards has some downright jaw dropping paintings on his website and on his Facebook page. Isn’t Gloucester Harbor absolutely incredible? The looseness of the strokes is out of this world. The colors are out of this world. His ability to get rid of all the unimportant “stuff” in the actual landscape amazes me. He left what was interesting and downright GORGEOUS! It wasn’t easy to choose only one painting, each and every one is so good! I love when an artist posts photos of what they’re painting. It makes them (the artist) kind of like a magician to me. It’s magical how they portray what they see so differently and so much better than it is!

Here is the photo of what James painted (from his Facebook page) – Now do you see what I mean?! Jaw dropping, right? Look how he gave the painting some twists and turns and not boring straight lines everywhere… no little stuff all over the place, oh heavy sigh, I can tell you mine would be quite different… it would be straight lines and all the little stuff, yuck yuck yuck. Why don’t you paint like the paintings you like I wonder? Well, I guess it all starts with picking up a brush… (I hear ya Ken! hee):

Photo by JamesRIchards

I love this little blip about James Richards (from his website):

Every time I go out to paint, I’m amazed at the beauty, 
complexity, and originality of God’s creation. Every 
day is unique and offers different challenges and 
opportunities for the artist. Being true to these 
differences, accurately mixing the appropriate color, 
value, and relationship I see before me achieves a 
result of a certain realness in the painting.
In painting, light is always the main theme of my work. 
Light gives form, color, and atmosphere to everything 
we see. Without it, we would see nothing.
Thus, as it is in the natural world, so it is in our 
spiritual world. Light gives meaning, reason, and 
purpose to our existence. In nature, the source of 
light is the sun. In our spirit, the source of light is 
God’s Son, Jesus Christ. 
My entire life has been a search for truth. Until I 
learned of Jesus and asked him into my life, I existed 
in the darkness of my own interpretation of life. As 
Jesus filled me with his spirit, he has filled my life with 
the light of God and an understanding of truth. 
With this talent God has given me, He has also given 
me vision. A vision to see the glory of God in His 
creation. This is why I paint.

May God bless you in your journey through life, and 
may the light of Jesus shine through you.

What a great guy! Give his website a look and I’ll catch you back here tomorrow!

Featured Artist… Peter Fiore!

“Chosen” by Peter Fiore (Image: PeterFiore.com)

I love paintings depicting light… always have. The colors are so vibrant in this painting. Even though its cold out, you can feel the sun hit your back as you face the tree… nice and warm, (now if that warmth could reach down to your feet, right?)! This is a great moody piece. To me it looks as if the snow arrived early, while there is still a little color left in the trees. There are a few nuances that I think make this painting… the subtle thin reddish orange twigs/branches towards the bottom on the right as well as around the sun spot. It grabs my attention. Way to go Peter!

How wonderful to live in an area where you truly have seasons. I miss that. We have a brief bit of color in the trees, but nothing that makes you say oooooh/ahhhhh! However, our winter weather (usually) makes up for it in spades. I am thrilled that its finally cooling down, we made it through another summer! I firmly believe it’s a few of our snow scenes that help us get through… ha ha…

One more painting of Peter’s to share with you… entitled “Going Home” (Image: PeterFiore.com):

Note: Peter Fiore is part of an exhibit called TIMELESS EXPRESSIONS. The art of Peter Fiore, Dan Beck and Marc Hanson. Three FABULOUS artists! It’s at the RS Hanna Gallery, and is going on through October 31, 2012. If you are anywhere in the vicinity I would make a point to stop in to see their work. The RS Hanna Gallery is located in Fredericksburg, TX!

Here’s a blip about Peter from his website:

Peter Fiore is an american landscape painter who is best known for painting light and his striking use of color. His landscape paintings are widely collected and are in many corporate and private collections. He has won a number of awards, most recently first place for landscape in the Art Renewal Center’s Anuual Salon as well as receiving a Grand Prize in the America China Oil Painters Artist League (ACOPAL) competition. He has been featured in an assortment of publications including Fine Art Connoisseur as an “Artist to Watch” and has recently been name a “Living Master” by the Art Renewal Center.

Peter was born in Teaneck, NJ in 1955. He studied at Pratt Institute and the Art Students League of New York. Previously, he worked as a professional illustrator where he collaborated on thousands of projects. He has been on the faculty at Pratt Institute, Syracuse University and presently teaches at the School of Visual Arts in New York City. Peter has given numerous guest lectures and workshops on painting. His work is represented in prestigious galleries across the country. Peter lives and works along the Delaware River in northeastern Pennsylvania.

Artist’s Statement
I am interested in making the simple profound, always searching for that universal moment in the world around us. I draw inspiration for my landscape paintings from many places, but most of it comes from the fields and meadows near my home in rural Pennsylvania along the Delaware River. I used to think that I had to travel far to find interesting motifs, but now I just walk out my door and it’s all there.

The abstract marks that I make are used to interpret nature’s tangle. Making visual sense and constructing order by structuring shape, form, tone, color and rhythm to create a palpable reality.

I like to visit a motif over and over again. I am especially drawn to the winter landscape. It is a time when the earth loses its leafy covering and reveals it’s true self. Covered in snow, the world reflects light and creates a spectrum of colors that are both dramatic and beautiful.

The true subject in any of my paintings is light and how it defines and endlessly changes the landscape around us. For me, light is more than a visual tool, it is an emotional subject. It is through the manipulation of light – how it falls, changes, sculpts, colors and creates various moods on a subject – that intrigues and inspires me.

Catch you back here tomorrow!

Featured Artist… Paul Kratter!

“Rugged Coast” by Paul Kratter – Image: Nancy Dodds Gallery

Paul Kratter… he’s another artist on my “to meet one day” list. His work is amazing. The warm colors draw me right in like a magnet. The solitude of the water is amazing. That golden light… ahhhh, golden light, nothing like it. It’s that magic warm color that makes even the palest person look fabulous. All dressing rooms should come equipped with lightbulbs that emulate this fabulous light! I adore the looseness of the rocks, where the light plays with the shadows. Brilliant!

If you get a chance check out Paul’s website, and read about him, he’s sounds like a fascinating guy!

Here’s a blip about Paul from Nancy Dodd’s website (I just automatically like any artist who mentions other artists who they admire, living or deceased, and a mention of their pets… a good guy indeed!):

BIO

Paul Kratter was born in San Francisco and raised on the city’s southern Peninsula. He holds a degree is graphic arts from College of San Mateo and a BA in Illustration from the Art Center College of Design. 

ARTIST STATEMENT

I spent my youth either outdoors playing tennis or indoors drawing my favorite athletes and wild animals. My two great passions have always been sports and wildlife. I was fortunate to make a living mainly in advertising, which included a long relationship with the National Football League and various Major League Baseball Clubs.

As time went on, I concentrated solely on wildlife illustration and worked for a variety of zoos and the Nature Company. I illustrated a number of children’s books, including “The Living Rainforest,” which won awards in 2002 Communication Arts Annual. 

Around that time, I became interested in the immediacy and spontaneity of the plein air approach and started painting in the East Bay hills near my home. My style changed almost overnight, although my approach remained intact, and I utilize my solid drawing skills and portray strong graphic shapes. Soon, I had a collection of work and began to show in galleries and join various plein air events.

Painting outdoors has become a passion. I continue to participate in a number of plein air events annually in California. Each has its own unique topography, light and challenges, which forces me to keep my work fresh and loose.

In 2005, I joined a group of fellow artists to paint in the eastern Sierra Nevada mountains. We packed in our supplies, hiked to nearly 10,000 feet, and painted the majestic peaks. This has become an annual event.

Painting outdoors is physical. We have to deal with various weather conditions from cold winter mornings to summer heat and glare. Windy days can challenge the best of scenery, but these variables are often exhilarating and force the artist to make decisive brushwork.

The first impression I try to capture is a strong composition. I look to simplify the scene by making bold, graphic shapes. The light and atmosphere are ever changing, and I want to quickly establish a color script. One of the first things I determine is what is going to change the quickest. This is the key area to capture and determine the feel of the painting.

To keep the fresh spontaneous, I usually finish my paintings on location. At times, these works are used as a study for a larger piece, but they can stand on their own as a finished painting.

The bold work of Edgar Payne, Carl Runguis, and William Wendt, along with the atmosphere of Sam Hyde Harris, are huge inspirations to me as I continue to grow in this ever-challenging medium.

My wife Tia, whom I met at Art Center, is an Art Director at Pixar Animation Studios in Emeryville, CA. We have two grown boys, Joel and Marshall, both artistic and athletic. Orbit is our ever-faithful dog.

Catch you back here tomorrow!

Featured Artist… James Richards!

“Downtown Shadows” by James Richards – Image: Galerie on Broad

My husband and I were downtown Charleston, SC one day, going through the galleries, we stopped in Galerie on Broad, Dee Beard Dean’s gallery, and we noticed James Richard’s work. My husband loved this piece. I like the looseness, the brush strokes, very nice!

Here’s a blip about the artist from his website… click HERE to read more…

James Richards is driven by a passionate 
connection with nature and a deep sense of 
obligation to relay his vision in the most truthful
manner possible.  This ethic, manifested in his 
work, is giving Richards paintings their own 
place in the world of art today.

A self taught artist, James has spent years 
studying the nuances of paint which has given 
him a keen sense of understanding and control 
over the medium.  James is an advocate of 
painting from life and spends his time traveling 
the world in search of new inspiration.

If you get a chance check out his work! Catch you back here tomorrow!

Featured Artist… Hiu Lai Chong!

“In the Studio” by Hiu Lai Chong

Hiu Lai Chong’s work is absolutely amazing. Her plein air pieces are fabulous, so loose and airy, where you feel as if you’re there. The paintings she does of people captures their very essence. I have not met this artist (yet)! and by the title of this piece “In the Studio” it makes me wonder if this is a self portrait? It’s gorgeous. I bow to those of you who can paint people… I think it’s a talent that not a lot of us were meant to have. To be able to capture that person in a painting is breathtaking! Hiu Lai Chong has a wonderful website, check it out! She participates in a lot of the plein air events, that information is also on her website!

A blip about the artist from her website:

Hiu Lai Chong finds her painting inspiration at local marinas and shorelines along the beautiful Chesapeake Bay. She loves painting from life and enjoys using vivid colors and sensitive brush strokes to express mood and feeling in her work. 

 She received her early art training in Hong Kong at the Jockey Club Ti-I College, and earned her Associate in Applied Science degree from Navarro College and her Bachelor of Fine Arts degree from The School of the Art Institute of Chicago with the Fellowship Award. She continued her art education through various workshops and classes at The Art League in Alexandria, Virginia and around the country.

 Today she focuses on landscape, portrait and figure painting, enjoying the beauty that all of nature offers. She is a member of the Portrait Society of America, Signature Member of the American Society of Marine Artists, a member of the Washington Society of Landscape Painters, Mid-Atlantic Plein Air Painter Association,  and the Chinese Culture and Art League. Her paintings have won awards and been shown in museums around the country including the Academy Art Museum (MD), Coos Art Museum (OR), the Biggs Museum of American Art (DE), the Washington County Museum of Fine Arts (MD), and the Buffalo Naval Park Museum (NY) and AnHui Museum in China.

Influences: 

 John Singer Sargent, Rembrandt van Rijn, Chao Shao-an, Richard Schmid, David Leffel, and Nelson Shank’s Studio Incamminati. Robert Liberace, Rick Weaver, Danni Dawson, Ted Reed, Sara Poly, Ross Merrill, and Ed Ahlstrom, Sandra Dowd, Tom Sale.

I love it when artists mention others artist who inspired them! Read more about Hiu Lai Chong here

Catch you back here tomorrow!

Image from Hiu Lau Chong’s website!

Featured Artist… Craig Mooney!

 “Drifting Clouds” by Craig Mooney

I ran across another very cool artist… I was on Maine HOME + DESIGN’s Facebook page. They always have the coolest posts. I ran across an image of a painting by artist Craig Mooney. His work is wonderful, and diverse. Landscapes, Cityscapes, Florals, Figures as well as his newest work. Most of Craig’s landscapes appear to me to be very peaceful. This one has bravado.  A bit more dramatic, the darkness in the clouds, it’s almost as if you’re floating (or flying) overhead and catching the view while moving. Very different. I like it!

Here’s a blip about Craig from his website (including image)…

Craig Mooney makes paintings of dramatic moments and heightened emotionality that are known for being expansive and expressive. Though a representational painter, the artist incorporates a myriad of abstract qualities throughout his paintings. In his figurative work, Mooney romanticizes his subjects and presents them in an atmospheric lens that is best described as dreamlike. His paintings appear to be capturing a moment suspended in time. While his work feels familiar, it is not specific. Rather it is , on a very basic level, symbolism of what could have been, has been or will be…

Born and raised in the heart of midtown Manhattan (NY), Mooney’s roots in art go back to his youth. His father, an amateur artist, taught him how to create oil paintings from discarded art supplies found on city streets. To Mooney, the city was an endless source of inspiration at an early age. Though the artist would later take classes in art both in high school and college, he regards this early exposure as the truest form of training he had ever received, After a brief carreer in the film industry, The artist moved out of New York in the mid Ninties to rural Vermont. The open and bucolic settings of the countryside allowed Mooney new sources of inspiration. Today, Mooney devotes himself full time to his art at his studio in Vermont.
Catch you back here tomorrow!

Featured Artist… Clyde Aspevig!

“Big Sir” by Clyde Aspevig

I have not seen Clyde Aspevig’s work in person, but flipping through the pages of Plein Air Magazine (oh how I love that magazine!) I ran across a snow scene of his that was magnificent. I love snow scenes… however a snow scene didn’t seem appropriate when the weather is mid 80’s and climbing, so… I thought this one was so nice. I absolutely love the color of the water and the fabulous looseness of the brush strokes, especially towards the bottom. LOVE. IT. I look forward to seeing Clyde’s work in person one day…

Here’s a blip about Clyde from his website (images also from his website):

Clyde Aspevig’s personal and artistic horizons have unfolded expansively since his childhood on a Montana farm near the Canadian border. That period of geographical and cultural isolation was in retrospect a blessing for the artist he recalls. “Because I grew up in a vacuum in Montana, I wasn’t taught the cliches.”

He sees such naivete as allowing him to be more open to everything around him, which is especially evident in his latest works. His peripatetic field easel now ranges across the wild mountains and prairies of Montana, Death Valley, Adirondacks, rocky North Atlantic coast, Scandinavian fjords and the well-tended hillside estates of Tuscany.

Growing up, he witnessed the alternatingly painful and joyful cycles of agricultural life. He was unusually fortunate to be encouraged by his family in the pursuits of art and appreciation of music. Clyde learned early on to work hard and persevere against obstacles natural and manmade. Rather than scoffing at or demeaning Clyde’s interests, Clyde’s father, the practical but open-minded farmer, bought his twelve-year-old son’s first painting.

He considers his paintings as old friends and visual souvenirs of places experienced in his life. The viewer, too, shares in Clyde’s magical evocations of the landscapes that touched him.

While his early efforts attracted awards and critical praise from the regional or “Western” sector of the art community, Clyde’s work has since emerged to be highly sought after by world class collectors. In a culture notorious for nourishing illustration of stereotypical, iconic subject matter, Clyde fearlessly departed whenever he felt the call, and resisted early attempts by Western art dealers to label him and restrict him to the saleable panoramic scenics.

His paintings of the West are not theatrical sets intended to reinforce regional mythology, but rather evocations of places that he perceives as already disappearing during his own lifetime, subjects worthy of both artistic and societal preservation.

The paintings reflect Clyde’s intense days of absorbing his natural surroundings, days which shaped a philosophy: “I see nature as being so much more powerful than we realize.” He sees the true value of preserving the last islands of wilderness, agreeing with the late writer Wallace Stegner that just the fact of knowing it is out there is important to the human spirit.

To Clyde Aspevig, painting expresses human emotion better than any other medium. The divine nature of light reveals to the receptive eye the timeless interaction of land forms and sky, water, flora, soil and rock. If he has any “mission” beyond the canvas in his creative endeavors, it is simply a wish to call attention to the timeless, intrinsic worth of our natural environment.

The image resolves from a deliberative yet intuitive process of the artist, seeing. Nature, undistorted by the filters of acculturation.

Clyde’s intent is to create something beautiful and harmonic. While subject matter is of prime consideration, further contemplation of the painting eventually yields its subtle nuances of texture and rhythm. His paintings possess qualities meant to outlast the viewer’s initial infatuation, qualities that will endure well into succeeding generations.

Each painting is a struggle and a journey for the artist, the destination a prolonged feast of discovery for the viewer. While his mastery of the medium is apparent, the desire of the artist is that technique shall never override the painting’s essential concept.

His own physical and spiritual connection with the subject’s place and time emerges on the canvas, a transformation intended to be savored as long as the work exists. As far as Clyde is concerned, some of the most powerful representations he developed were those that left something out. That the viewer notices a sense of space, rhythm and harmony is no accident.

All the while, there is the composer, with brush and palette knife, conducting, refining, coaxing, interpreting his own score. As he explains, “I use music all the time in my paintings.” The discerning viewer sees and feels the brushstrokes corresponding to musical notes and movements — legatos broad and delicate, an adagio of cured prairie grasses, a swirling vivace of light and clouds over the marcato of mountain granite. Clyde’s music touches the eyes with distinct rhythmic textures, letting the canvas reflect how earth and sky are interwoven. The result is the artist’s ethereal yet tactile manifestation of natural forces: “Paintings become symbols of all that we are.”

Clyde Aspevig is acutely conscious of the forces constantly at work sculpting the earth; erosion from rain and melting snow, wind, extremes of heat and cold. While the evidence so far suggests that the earth has endured millennia of human folly, he is aware of the fragility of life and how industrialized civilization has so rapidly altered entire mountains and rivers and displaced ancient buffalo ranges and forests.

And yet the artist moves on, seeing, feeling, preserving on canvas what is best that remains of the New World, while absorbing excellence from masters of the Old World. If we, too, allow ourselves to look carefully, we may all become a little richer.

Catch you back here tomorrow!


Featured Artist… Charles Movalli!

Looking Toward Fish Beach, Monhegan” by Charles Movalli

Image: BayviewGallery.com

I admire artist Charles Movalli. I would truly like to meet him one day. He seems to be a nice guy with a sense of humor. I love that. His paintings are spectacular. My husband and I first spotted his paintings at Bayview Gallery in Camden, ME back in 2006. I can still see that painting hanging up high, it was the hull of a boat with the American flag. I was captivated. It was a large painting and it was spectacular! Since that time I’ve seen plenty of his paintings that I just fall in love with! “Looking Toward Fish Beach, Monhegan” is one… another that was on the Walls Gallery website (so I’m not sure where the painting is now or if it has sold), it was called “Just Another Workday”. Did you read the other day where I mentioned that little pop of an orange or red in a painting can make all the difference… so can a larger pop… love this one!

“Just Another Workday” by Charles Movalli , Image from Walls Gallery 

Here’s a blip about Charles from the Walls Gallery website (the Walls Gallery closed the Wilmington, NC locationDecember 2011, which I was sad to hear… Walls was a nice gallery with some fabulous artists, to mention a few: Ken DeWaard, Tim Bell, Larry Moore, Cindy Baron) click HERE for more info… I see they mention that the Walls Gallery may be opening at the Greenbrier resort some time this year)…

Charles Movalli

Charles is a great ambassador for the Cape Ann School.   Cape Ann is the longest active artist colony in the United States.  No surprise. The place is one painting after another, just waiting to be painted. After all this time, you’d think the nay-sayers of art, the It’s-all-been-done crowd, might have a point, but Motif #1 still draws painters, who are still doing something that’s never been done before. Charles’ lecture on the Cape Ann School is not to be missed. Winslow Homer, Childe Hassam, Edward Hopper, John Sloan,Emile Gruppe are a few of the regulars going back nearly 200 years. Gloucester and Rockport are plagued by picturesqueness.  It’s catching.  Trash bins may even be lovely.

The focus of the artists Charles admired and learned from as a young painter (Emile GruppeCarl PetersAldro Hibbard) was composition, and his paintings have a solid structure even amid dinghies bobbing at the dock and buildings listing under their years.

Charles has a PhD in English and has written books and articles galore.  The books, though pricey if you can find one, are fantastic reads for any student of painting covering not only many laudable artists, but also composition, color, and the wielding of the brush.  We are still waiting for the book on Charles himself, but he has let us know that some things will melt and others freeze over before we’ll see that book.  We’ll enjoy his paintings while we wait.

I told you… he’s got a sense of humor… love that! Catch you back here tomorrow!

Featured Artist… Adele Earnshaw!

“One Mile To Go” by Adele Earnshaw / Image: HortonHayes.com

I absolutely love it when I run across a painting that just takes my breath away… this is one sweet painting. Fred and I were at the art walk in Charleston, SC a few weeks ago and we went in the Horton Hayes Gallery (if you haven’t been you MUST go, so many fabulous artists in one space!). Lovely work, I’m telling you, Mark Horton, Chris Groves, Nancy Hoerter, Shannon Runquist, Larry Moore, (and more) all so very talented. Then we went upstairs (if you don’t normally go upstairs it’s quite the treat, there are a treasure of beautiful paintings upstairs as well) we saw this painting “One Mile To Go” on an easel. The way the light hits the foliage, the light in the trees and WHOA that tiny red bird across from the bright sun on the bushes… brilliant! Adele Earnshaw is a very impressive artist… here is a blip from the Horton Hayes website:

A sixth generation New Zealander, Adele Earnshaw was born in Hastings and lived in Warkworth before immigrating with her family to the U.S. Her childhood in New Zealand has been a major influence on her work and choice of subject matter.

Adele’s paintings have been exhibited at the Natural History Museum in New York and have toured Japan and Sweden with museum exhibitions. The artist was selected to design the first three stamps for the New Zealand Game Bird Habitat Stamp Program. In 2000 she was invited to participate in the Ecoart Conference and Exhibition in Taiwan where her work was exhibited at the Museum of Natural History in Taipei. In 2003, Adele was selected as a judge for the prestigious Federal Duck Stamp Competition held at the Department of Interior’s Fish & Wildlife Service in Washington D.C.

Adele is represented by galleries across the U.S. Her work is in the permanent collection of the Leigh Yawkey Woodson Art Museum and the Arizona Sonora Desert Museum. Her book, ‘Painting the Things You Love in Watercolor’ was released by North Light Publications in 2002.

Several years ago, Adele started to paint exclusively in oil after many years as a watercolorist. Although her subject matter still includes wildlife, primarily birds, she also enjoys painting on location and landscapes have become a major focus.

Catch you back here tomorrow!

Featured Artist… Kathleen Dunphy!

“Low Tide” by Kathleen Dunphy 

There are so many wonderful paintings in this world to choose from… many are from artist Kathleen Dunphy. She is AMAZING! Her artistic ability is out of this world… I normally try to select paintings that are for sale… Low Tide appears to be for sale (hurry if you like it, it most likely won’t be around for long!), there was another that caught my eye… it’s sold, but I wanted you to see it. To me, this is perfection…

 “Morning Reflections” by Kathleen Dunphy

This is one gorgeous painting… it’s clear and crisp and truly looks, feels and even SMELLS like early morning out on the water. What a fantastic painting! Congratulations to whoever bought it!

Do you know nearly every single painting on her website that includes a structure of any kind has sold? Therefore… one more sold painting!

“Lange Barn” by Kathleen Dunphy

Here’s a blip (all images as well) from Kathleen’s website (fabulous website and blog, it’s got to be hard to find the time to keep things updated, post a blog entry AND paint, but I can tell you… WE APPRECIATE IT! So thank you to ALL of you wonderful artists who update and keep the rest of us waiting for more!).

In the mid-1990’s, Kathleen Dunphy started her art career by displaying colored-pencil dog portraits in coffee shops and veterinary clinics in Eagle River, Alaska. Little did she know that less than a dozen years later, she would be a highly acclaimed oil painter, exhibiting her work in galleries across the United States and garnering awards from some of the top art competitions in the country. Kathleen’s rapid success in the competitive art world was predicted when American Artist Magazine recognized her as one of the Top Ten Emerging Artists in 1998. She is one of those rare people who have true passion, dedication, and a gift for transposing nature’s beauty to the canvas.

Kathleen’s early art education included workshops by Kevin MacPherson and Dan Gerhartz. In 2000, Kathleen was awarded a full scholarship at the prestigious Academy of Art College in San Francisco, where she was mentored by artists such as Craig Nelson and Brian Blood. She maintains strong ties to the Academy, where she has been offered a faculty appointment and participates in the annual Alumni Auction. Further study with Scott Christensen and T. Allen Lawson helped hone her skills and refine her own unique style of painting.

In 2003, Kathleen and her husband designed and built a log home and studio in the Sierra Nevada foothills of northern California, where the pristine setting of her new home provides endless inspiration for her work. Kathleen’s landscape paintings can now be found in galleries from coast to coast, and in 2009, she exhibited her 10th solo show. Her honors and considerable and include important juried shows in California, Texas, Georgia, Arizona, and Maine; Best of Show from The American Impressionist Society; an Award of Excellence from the Oil Painters of America; five California Art Club Gold Medal Shows; six magazine articles, including being featured in Southwest Art’s Plein Air issue in 2009; the Federal Duck Stamp Competition; Birds in Art; Arts for the Parks; Grand Prize at the Acadia Invitational Exhibition in Bar Harbor, Maine; signature status in Oil Painters of America, Laguna Plein Air Painters, and the American Impressionist Society; and many others.  In just twelve years, she has earned an impressive and growing reputation with galleries, private collectors, and art magazines across the United States.

In the spirit of passing on the gifts of her artistic abilities, Kathleen began teaching in 2005 and is a much sought-after workshop instructor. Her engaging style of teaching and one-on-one instruction garners high accolades from her student artists. She has also served as a judge for several art competitions. While her current passion is still to paint nature every day and produce a limited number of high quality paintings, she is now working on a book about her process of developing a work of art from field study to finished studio paintings.

Catch you back here tomorrow!

Featured artist… Tom Soltesz!

“Down The Street And Across The Bay” by Tom Soltesz

I ran across Tom’s work years and years ago… I was on a California plein air website and there were so many artists it was hard to fathom! When I looked at his work I fell in love with it!  I love his bold strokes and his subject matter. He did a painting of some trees in Muir Woods years ago that was just out of this world! I still remember that painting. He’s got an interesting story… can you imagine KNOWING you’re going to be a professional artist at age 7? Yep, me either!

You’ll see on Tom’s website that he also give workshops. He even gives weekend workshops for $100! How tempting! Might be a great time for a little vacation to Califor-knee-eye-A!

A blip about Tom from his website:

 In 1954, Tom was born in a small coal-mining town in western Pennsylvania.  There were little or no cultural influences.  At the age of 7 Tom decided to become a professional artist.  He believed that to be an artist came naturally, and that involved little effort.  This was his first major misconception.  Living in a town of less than 5,000 he received little artistic training, and since Tom was from a family of 7 children, being sent to art school was out of the question.  Upon graduation from high school and being voted “most artistic” of his class,  Tom moved to Florida where he talked his way into a job painting billboards for Florida Outdoor Advertising.  In one year, Tom became their top pictorial artist.  After one more year Tom decided there was little chance of growth.  In 1974, he moved to Denver, Colorado and he enrolled in the Colorado Institute of Art where he received a degree in Advertising and Design.  He freelanced his way through college and graduated with a professional portfolio and since he still had the wonder-lust for travel, Tom moved to Manila, Philippines and started a graphic design studio.  He had by now become a painter/designer, and he worked in watercolors and designing logos, packaging, and ad campaigns for some of the biggest companies in South East Asia.  From Manila he moved to Hong Kong to manage the studio of a major designer.  Tom continued to paint and draw while he freelanced for various companies in both Hong Kong and the Philippines.  He was greatly influenced by the artists of the Philippines, both landscape and figurative, especially by the Philippine artist known by the name of Amorsolo.  Tom was asked to move to Papua New Guinea to upgrade the corporate image of San Miguel Beer Corporation, but since there were little social activities in New Guinea, he continued to develop his painting abilities.  In 1981 Tom decided to return to the U.S. and further educate himself as a painter.  He enrolled in the Academy of Art College in San Francisco and studied illustration and fine art.  Tom freelanced his way through the academy and graduated with knowledge of a variety of illustration and painting techniques.  He decided the only way to continue to paint in the various styles that he enjoyed, was to service a diversity of clients.  Tom started working with interior designers by supplying them with custom paintings, murals and screens, and he worked on hotels, restaurants, and residential projects.  He has been involved in projects in a number of countries and has supplied clients with room art custom painting, murals, and tromp L’oeil.  Tom is represented by numerous galleries in California.  His fine art oils are mainly landscapes and florals, however he also does figurative works.  Tom teaches plein air landscape painting, an Artist member of the California Art Club, and The Baywood Group of painters which is a socially active environmental group of landscape painters. Tom recently won “Best in Show” at the annual San Luis Obispo Plien air festival and an “honorable mention “at the 2005 Carmel art festival. Tom was recently featured in the April issue of South West Art magazine, and the April issue of The Artist’s Magazine 2007. Tom has many collectors in the United States and abroad and continues to develop into one of the most important landscape painters in the U.S.

Catch you back here tomorrow!