New Mexico – ARTFOODHOME.COM

Sea of Cortez by Walt Gonske — *Sea of Cortez* by Walt Gonske

Walt Gonske, an artist from Taos, New Mexico, has some wonderful work and I am thrilled to have run across it! Ahhh, the beauty of the Internet! I have found so many wonderful artists and Walt is no exception! He’s got some nice shapes going on, some fabulous color, nice brush strokes and he kept it loose enough to leave it to your imagination… I like that a lot! Give his website a peek if you get a chance!

Walt’s work reminds me a little of Charles Movalli. Charles Movalli is one amazing painter, and a fabulous person from what I hear. You can spot one of his paintings from a mile away. He has a way of simplifying that is incredible. Matter-of-fact, I just watched a YouTube video on SIMPLICITY by Charles Movalli and it was inspirational! Check it out if you get a chance!

Read a blip about Walt from his website:

“In the past, I would have an idea for a painting and hold to that idea through to the finish. I could pretty much see the end result before I started. There were no surprises. But now my understanding of the process is that the idea is just the first impulse. From that first impulse forward, improvisation takes over. The end result is not about that first idea, but is instead a record of all those impulses along the way. Each stroke of paint carries emotion and power. I work in a loose, painterly style in part because I want the viewer to see the process and not hide it behind ‘finish;’ for the viewer to maybe even feel how a particular piece of paint was put down.

Painting is not about reproducing nature. I like the notion that art should have more to do with the communication of the artist’s emotions to the viewer through the paint itself.

My goal in the work is not to show what I know, but what I feel. The more intensely I can express emotion though paint about the subject, the more likely the viewer will respond. All I can do is make an honest effort and then accept without judgement. To remain neutral about the paintings and to not judge them as good or bad is very important to moving forward.

My best work comes when I’m able to give up control, to trust my impulses. Then the painting takes on a life of its own. When I don’t know what is going to happen next, the process becomes full of surprise and wonder.

We go to art school to learn the rules about drawing and painting. After many years of developing skills and acquiring knowledge, I know what I will get as a finished product if I control the process. What I don’t know is where it would lead and what would happen if I gave up control. This is what interests me now.

It’s a different way of thinking – or not thinking so much. To remain empty of all preconceived ideas about how a piece will turn out. It’s simply a mind-shift away from repeating what I already know and to allow that unknowable, creative spirit to come through.

That’s easier said than done of 40 years of learning how to do this thing called art. But all that stops one from stepping into unknown territory is doubt and fear. If I’m willing to give up control over my skills and ability to do things a certain way, then new forms and techniques will come to me.”

IMAGE: WaltGonske.com

F L A S H B A C K

O N E Y E A R A G O… CFADA Fine Art Weekend Photo: Mark Horton

T W O Y E A R S A G O… Artist to watch… Elizabeth Pollie!

Catch you back here tomorrow!

“Conference, Earth and Sky” by Louisa McElwain

Louisa is amazing to watch paint. I’ve only seen her on You Tube, but whoa! I bet no one has ever told Louisa to “paint with paint” (I can still hear it now “Barbara… PAINT WITH PAINT”, ugh!), she applies it nice and thick. Her canvases for the most part are quite large, especially for plein air painting. I encourage you to check out her website. She seems like such a cool person!

One of my favorite photos is on the home page of Louisa McElwain’s website, you need to check it out! It’s a photo of several women sitting at a table and it appears they are having the time of their lives, I love it! You may also notice that on the WORKS page of her site, she sells something other than paintings… I’ll let you figure it out ;)

Here is a great YouTube clip of Louisa painting… check out her set up… SO creative!

Here’s a blip about Louisa from her website:

I have lived and painted in New Mexico since 1985, working outdoors under a wide variety of conditions, open to the impulse of changing light, wind, heat, cold, insects, forces of Nature which bring life into my paintings. For me, painting is a dance to the tempo of the evolving day.

Usually, I paint off the back of a pick-up truck, which gives me access to many wonderful places, and provides a way to stabilize and transport large canvases. Here in the West it seems that the canvas is never big enough. To include my entire field of vision at arm’s length, 60×90 ins. is about right. I paint with knives and masonry trowels, which allows me to work fast. Each painting is completed in less than 4 hours, regardless of size, as permitted by weather and light.

Painting large canvases outdoors invites another interaction with Nature as, inevitably, insects, particles of plants and soil end up on the painting. I see these as valuable contributions to the work. Sometimes I put little stones, bones or pieces of glass and plants into the paint, in the same spirit as the Navaho weaver who incorporates things into her blanket to bless those who will receive it, and as a way of acknowledging the temporality of things.

My process is an inquiry into sensuous potential of paint. To explore the mystery of sensation, to touch that which is known but cannot be measured, understood yet indescribable; the act of painting is an expression of my connectedness with God and Nature. I am Nature.

Catch you back here tomorrow!