Featured Artist… Ann Larsen!

“Winter Color” by Ann Larsen

This is a beautiful winterscape. Look at all those colors that make up the snow. Just like in real life… snow certainly isn’t all white when you look at it, since reflections and shadows appear as different colors. I love a snowy painting WITH SUN. It just makes everything pop. Nice brushwork and great flecks of light throughout the painting! Her paintings lack the fine details that end up making a painting ‘fussy’. Take a peek, I’m sure you’ll enjoy them!

Here’s a blip about Ann from her website:

Ann is an award winning artist living in upstate New York’s Adirondack Mountains.  Born in Louisivlle, KY, Ann began traveling and living throughout the United States at the age of 18.   After completing a Bachelor of Arts degree from the University of Central Oklahoma, she and her family moved to Denver, CO where Ann began to focus on her painting and fell in love with the western landscape.   Even though she lives in a beautiful part of the country, where plein air painting is a challenge almost any time of year, Ann also spends time painting on the coast of Maine and throughout the Southwest.   

Ann’s approach to the landscape is to simplify as much as possible in order to create the strongest paintings.  “I want my viewers to know how I felt about a place when I painted it.  I’m not trying to copy what I see nor am I interested in lots of detail.  I want to suggest a subject with the buildup of paint and exciting brushstrokes.”

Northlight Gallery in Kennebunkport, ME states, “Ann’s work exhibits the careful, thoughtful hand of an artist deeply committed to both her medium and her environment.   Ann is able to suggest the power, grace and mood of her subject as she captures the essence of New England in her landscapes and seascapes.”

Catch you back here tomorrow!

Featured Artist… Eleinne Basa!

“Afternoon Light” by Eleinne Basa

Normally I like to feature a painting that is still for sale. This is an exception. Even though this gorgeous painting has sold, I just had to share it with you. STUNNING! LOOK at that light. Absolutely incredible. That beautiful warm golden light alongside the dark sky is perfection! This painting won the $15,000 First Place Award in the 1st Annual Plein Air Salon Online Competition! Woohoo Eleinne!
The awarding was announced during the 1st Plein Air convention in Las Vegas.

Here’s a blip about Eleinne from her website

A Classically trained artist, Basa began painting at the young age of 8. Her early training still influences her as it is when she is painting “en plein air’ that she is brought back to a time in her childhood when “painting was pure and comes from someplace deep within.”
Basa’s landscapes allure the viewer to move into the work with their radiant light and luminescent qualities reminiscent of the early Luminists and Tonalists of the American School. She is inspired by painters like Thomas Moran, George Inness and is continually striving to achieve a certain timelessness to her work.

A professional and full time artist since 2004,
Basa participates in several national shows and have been invited to participate in prestigious events such as the Maynard dixon Country show in 2009 . She has also been invited to show her works at the National Arts Club and at the Salmagundi Club in New York, New York.

D. Eleinne Basa lives in Jackson New Jersey with her husband and two children.

Check out Eleinne’s website, see all the amazing paintings…  and I’ll Catch you back here tomorrow!

Featured Artist… Kathryn Turner!

“Outcrop” by Kathryn Turner

Look how simple and loose this painting is. Why is that so hard I wonder? Kathryn did a wonderful job on this painting. Fabulous brush strokes and that one white wave is INCREDIBLE! I can SMELL the ocean air, ahhh, I can HEAR the waves as they brush the shore. The color of the water… beautiful! Check out Kathryn’s website, it’s a good one!

Here’s a blip from Kathryn’s website:

Artist Statement

The Miraculous Process

My need to create flows from the privilege of participating in the miraculous nature of the creative process rather than rendering some notion of a perfect product. The creative process is a confluence of nature’s inspiration and my personal interpretation of what I am experiencing. I strive to create paintings that record my own experience of the subject’s essential spirit and energy, not an imitation of a fixed surface reality. This process requires my presence, enthusiasm, open-minded appreciation, playfulness, courage and honesty. In this way, creating art is transformative, universal and timeless.

Thanks

When I think of the blessings in my life I feel overwhelmed – I don’t know where to begin to say thanks. This is my humble expression of deep gratitude for teachers who have instructed me, fellow artists who inspire me, and family and friends who support me faithfully as I pursue this dream of being an artist.

Bio

The artwork of Kathryn Mapes Turner has unfolded from the mountain valley of Jackson Hole, Wyoming. Here she was born as the fourth generation to be raised on the Triangle X Ranch in Grand Teton National Park. She grew up riding the trails of the valley, learning wilderness lore and gaining an eye for landscape amid what she believes to be the most spectacular scenery on earth.

Turner began studying art in her teens from noted local painters. She then left Wyoming to attend the University of Notre Dame, majoring in Studio Arts. She spent an influential semester in Rome, Italy and then studied at the Corcoran School of Art in Washington D.C. Turner now has a master’s degree from the University of Virginia.

Having been passionate about painting since childhood, Turner is now nationally recognized as a emerging artist. Turner has been awarded with such honors as Wyoming Best Watercolor Artist and was included in SouthwestArt Magazine’s “Annual Profile of Young Artists with Promising Careers.”

Turner believes that growing up in Grand Teton National Park, a place with such dramatic light and dramatic natural composition, gave her an intimate appreciation for art. “I believe the valley of Jackson Hole evokes expression,” says Turner. She now travels all over the world to paint. With watercolors and oil paints, Turner responds to what she sees in hopes of sharing this love of the sublime with others through her work. Turner believes beauty, which can be found everywhere, is a true richness in life.

In addition to her dedication to creating artwork, Turner also owns and operates Trio Fine Art Gallery in Jackson Hole, Wyoming with fellow artists Jennifer L Hoffman and September Vhay.

Catch you back here tomorrow!

Featured Artist… Jane Barton!

“Pit Stop” by Jane Barton

I think this is an incredible painting. Obviously the white box with the word “NEXT” that you see on the image is the only way I could retrieve it. It’s not part of the painting… ha ha. I love the colors, textures and light in the foreground, and the looseness of the background. The car and the people… fabulous. Such a cool old car with the light hitting it oh-so-perfectly! Very nice. And I have to say… I LOVE, LOVE, LOVE the license plate… that little blip of orange, WHOA! This piece was one of the juried pieces in the American Impressionist Society (AIS) Exhibition. Very nice work by Jane… check out her work!

Here’s a blip about the artist from her website:

After twenty-five years as a nationally recognized graphic designer, illustrator and portrait artist, Jane Barton is the recipient of numerous national awards. Originally from Chicago, where she studied at the American Academy of Art, Jane holds a B.A. from Boston University. In 1997, after writing her thesis entitled, “Drawn West: Illustrators Who Became Fine Artists,” which included personal interviews with the Tucson Seven and 11 other renowned artists across the country, Jane earned a Master of Art degree from the School of Visual Arts at Syracuse University. Ironically, 3 years later, she, too, joined the ranks of former illustrators who became fine artists. Jane studied plein air painting with such masters as Skip Whitcomb, Matt Smith and Ned Jacobs. She paints on site in both oils and water colors, using these paintings as the basis of larger, studio work. Jane also makes time to teach painting to enthusiastic students of all ages.

Inspired by the Sonoran desert of her home in Arizona, as well as her world travels, Jane enjoys exploring the patterns of light and color she sees in extreme close up as well as distant views of a subject. Her choice of subject is very immediate, whether it is a flower that blooms for only one day in the desert or the colors of a market she is standing in half way across the world. Continuing the legacy of 19th and early 20th century artists of the American West, Jane is intent on preserving the beauty of a changing, vanishing world.

Catch you back here tomorrow!

CFADA Fine Art Weekend Photo: Mark Horton

I love Charleston Fine Art Dealers (CFADA) weekend… specifically the first Saturday in November. Watching these amazing artists paint is always a treat! There was a nice turnout. I packed my camera and off we went, headed downtown… ran into several road blocks, there was a run in town that had streets blocked off. Eventually we made it… we jumped out of the car, camera in hand and headed to Washington Park. I turned my camera on, ready to snap away, and what did I see?

B A T T E R Y  E X H A U S T E D ! 

ooooh…m…geeeee.

Ok, next I resorted to my Blackberry. I was so disappointed not to get the photos that I wanted. Fred offered to go home and get my spare battery (WHY didn’t I put that in the camera bag??!!). But we made do… so here’s the first photo… Mark Horton, from Horton Hayes Gallery in Charleston, SC, painting away. Effortless. Or at least it appears that way. I don’t suppose you can look like you paint effortlessly unless you do a heck of a lot of painting!

Great work Mark! Next year… I will have ALL my batteries!

Catch you back here tomorrow!

Featured Artist… Quang Ho!

“Daily Sustaining” by Quang Ho

It’s as if you are there, kneeling beside this woman watching her work her magic. Can’t you smell the wonderful food being cooked? Quang Ho captured this in such a fabulous way. Not overworked, with just enough detail to leave the rest to your imagination. A well accomplished artist without a doubt! And versatile, whoa!

Image: AnselAndTheGreatTree.com

Quang illuststrated one of the coolest children’s books I think i’ve ever seen. ANSEL AND THE GREAT TREE is one children’s book that I would love to have in my library. The illustrations are OUT OF THIS WORLD. To me, that’s what makes a children’s book. (Well, the writing has to be there, without a doubt, it has to be a good story)… without those wonderful images a children’s book wouldn’t be a children’s book now would it? I can still remember some of the images in books I’ve read growing up. MAGICAL. The book’s website has a link to purchase a limited edition print of certain images and they are nothing short of amazing, click HERE. Here is one example… Oh! I love it! How would one of these look in a child’s bedroom??!!

Illustration for Ansel And The Great Tree: “Jollyman” by Quang Ho

Here’s a blip from the International Masters of Fine Art website:

Artist’s Biography

Quang Ho was born in Hue, Vietnam. He immigrated to the United States in 1975 and is now a U.S. Citizen. His artistic interest began at the early age of three and continued through his schooling and led him to an exciting and successful painting career.
In 1980, at age 16, Quang held his first one-man show at Tomorrow’s Masters Gallery in Denver, Colorado. The exhibit was a smashing success. In 1982, Quang attended the Colorado Institute of Art on a National Scholastics Art Awards Scholarship. Ho graduated from the CIA in 1985 with the Best Portfolio Award for his graduating class.
In 1982, Quang’s mother was killed in a tragic auto accident, leaving him with the responsibility of raising four younger brothers and a six-year-old sister. After graduating from art school, Ho launched a very successful career as a freelance illustrator from 1985 through 1991. His clients included Adolph Coors Company, Upjohn, Safeway, the Colorado Symphony, and the Chicago Symphony.
Today, working mostly in oils and occasionally watercolor and pastels, Ho’s subject matter ranges from still life, landscapes, interiors, and figurative.
“Subject matter is not really important to me. I can find visual excitement all around me as well as on the canvas – from a knot on a tree to the graceful limp of a flower wilting to a juxtaposition of a few simple shapes and colors…inspirations are inexhaustible.” Quang currently resides in Colorado.

This is one amazing artist. You can feel emotion in his paintings. They are out of this world! Great work Quang!

Catch you back here tomorrow!

Featured Artist… Louisa McElwain

“Conference, Earth and Sky” by Louisa McElwain

Louisa is amazing to watch paint. I’ve only seen her on You Tube, but whoa! I bet no one has ever told Louisa to “paint with paint” (I can still hear it now “Barbara… PAINT WITH PAINT”, ugh!), she applies it nice and thick. Her canvases for the most part are quite large, especially for plein air painting. I encourage you to check out her website. She seems like such a cool person!

One of my favorite photos is on the home page of Louisa McElwain’s website, you need to check it out! It’s a photo of several women sitting at a table and it appears they are having the time of their lives, I love it! You may also notice that on the WORKS page of her site, she sells something other than paintings… I’ll let you figure it out ;)

Here is a great YouTube clip of Louisa painting… check out her set up… SO creative!

Here’s a blip about Louisa from her website:

I have lived and painted in New Mexico since 1985, working outdoors under a wide variety of conditions, open to the impulse of changing light, wind, heat, cold, insects, forces of Nature which bring life into my paintings. For me, painting is a dance to the tempo of the evolving day. 

Usually, I paint off the back of a pick-up truck, which gives me access to many wonderful places, and provides a way to stabilize and transport large canvases. Here in the West it seems that the canvas is never big enough. To include my entire field of vision at arm’s length, 60×90 ins. is about right. I paint with knives and masonry trowels, which allows me to work fast. Each painting is completed in less than 4 hours, regardless of size, as permitted by weather and light. 

Painting large canvases outdoors invites another interaction with Nature as, inevitably, insects, particles of plants and soil end up on the painting. I see these as valuable contributions to the work. Sometimes I put little stones, bones or pieces of glass and plants into the paint, in the same spirit as the Navaho weaver who incorporates things into her blanket to bless those who will receive it, and as a way of acknowledging the temporality of things.

My process is an inquiry into sensuous potential of paint. To explore the mystery of sensation, to touch that which is known but cannot be measured, understood yet indescribable; the act of painting is an expression of my connectedness with God and Nature. I am Nature.

Catch you back here tomorrow!

Winslow Homer – The Veteran In A New Field

“Veteran In A New Field” by Winslow Homer / Image: MetMuseum.org

A fitting painting for Veteran’s Day, don’t you think? This was painted by Winslow Homer in 1865, and has quite the story behind it.

Info is from the Met Museum:

Painted through the summer and fall of 1865, not long after the nation came to grips with Robert E. Lee’s surrender and mourned President Lincoln’s assassination—both of which occurred during the second week of April—Homer’s canvas shows an emblematic farmer who is a Union veteran, as is signified by his discarded jacket and canteen at the lower right. The painting seems to blend several related narratives. Most soldiers had been farmers before the Civil War. This man, who has returned to his field, holds an old-fashioned scythe that evokes the Grim Reaper, recalls the war’s harvest of death, and expresses grief upon Lincoln’s murder. The redemptive feature is the bountiful wheat—a Northern crop—which could connote the Union’s victory. With its dual references to death and life, Homer’s iconic composition offers a powerful meditation on America’s sacrifices and its potential for recovery.

A big, sincere THANK YOU to all the veterans out there who have fought hard for our freedom, thank you for your unending dedication! Our hearts will always thank you!

Catch you back here tomorrow!

Featured Artist… Brian Stewart!

Isn’t this the sweetest painting? This was done by artist Brian Stewart. I love that house… what a wonderful place. A magical green, the light hitting the house, the person on the porch, the gingerbread on the house, the flowers on the porch, it all comes together and makes a very nice painting. I like how Brian has descriptions on his website… here’s the one for this painting (on Brian’s website under “Plein Air”).

Sunday Morning / Nicollet Island
Nicollet Island is an inner city oasis that has many fine, older Victorian style homes. Some grand, some quaint. Loaded with Ginger bread, these homes were in neglect for many years, but in the last few years people have been slowly restoring them to their original beauty. One more reason why the Riverfront is one of the more desirable areas in the Twin Cites. This Sunday morning scene looked like a nice way to start the day. 12 x 9, oil on canvas on board in a turn-of-the-Century style gilded frame.

One more, well, because I think it’s so interesting…

Where Stars Were Made 
This old, overgrown and abandoned motel is on the Pacific Coast Highway in California just as you enter into Malibu. Since the 30ʼs it has been a favorite of fast laners, rock stars and the Hollywood crowd. A trip to the beach wouldn’t have been complete without a stop there. I’m drawn to this kind of subject matter because it is so rapidly disappearing from our landscape and I look at it and think “If walls could talk”. 12 x 16”, oil on canvas on board in a gilded turn-of-the-Century style frame.

I want to go see this in person! Can you imagine fixing these up??! Brian’s description underneath image… I wonder who stayed there? YES, if walls could talk!

Catch you back here tomorrow!

All images: stew-art.com

Featured Artist… Kirk McBride!

“Downtown Snow” by Kirk McBride

I love paintings at night (nocturne) with a light on in a house or building. It just warms it right up. The tire tracks in the snow with the moonlight making it glow is wonderful. I think the dark, dark sky is the perfect compliment. Great work Kirk!

I like to check out different artists that I see are at different plein air events around the country, and I’m glad I did! Here’s a blip about Kirk from his website:

“Everything has a moment when light and shadow create something breathtaking to view.” Kirk McBride is constantly looking for those moments to inspire his oil paintings. He travels often and paints a variety of subjects from seascapes to mountains, from city scenes to landscapes, from foreign cafes to interiors of his own home and studio. The light and shadow relationship being the unifying theme that runs throughout his work.

Winning “Best in Show” at the first local art show he entered encouraged Kirk to make painting a lifelong pursuit. He’s been at it for over 30 years now, first part-time in watercolors, and since the late ’90’s, full-time in oils. He has been influenced by a number of painters from the past, including Edward Hopper, Edgar Paine, Emil Gruppe, Frederick Mulhaupt and the Russian Impressionists of the early 20th Century. Kirk graduated from the University of Maryland in 1974 and has studied with nationally recognized painter, and fellow surf industry veteran, Ken Auster.

Travels to Italy, Mexico, the Caribbean, Maine, Colorado and California provide a variety of images for Kirk’s paintings. Kirk often paints “plein air” (outdoors) and uses those small plein air paintings, along with sketches and snapshots as studies for his larger studio pieces. He has been elected an “Artist” member of the Mid Atlantic Plein Air Painters Association. Kirk has been juried into a number of plein air painting competitions and exhibitions where he has won awards. He has been invited to paint in the Laguna Beach Plein Air Invitational three times, has been juried into Plein Air Easton three times and Paint Annapolis five times. His home and studio are on Maryland’s Eastern Shore.

Give his website a peek! Catch you back here tomorrow!

CFADA Fine Art Weekend begins TONIGHT in Charleston, SC!

Laurie Meyer at CFADA painting in the park… Charleston, SC 2011
Laurie Meyer at CFADA painting in the park… Charleston, SC 2011

This weekend is one of my favorites. It’s Charleston Fine Art Dealers Association (CFADA) Fine Art Weekend here in Charleston, SC!
Tonight you can visit the galleries, meet both the local and visiting artists and tomorrow, ahhhh, tomorrow…!

Tomorrow (Saturday, November 3rd) you can watch them paint from 9AM until Noon in Washington Park. Nothing gives me greater joy than to watch an artist I admire paint a fabulous painting while I’m standing there with a cup of coffee in my hand, hee hee… It amazes me how everyone approaches a painting differently, yet they all end up so wonderful! I just cannot wait!

Paintings will be auctioned off Saturday night and  benefits go towards helping local schools provide art supplies…

Hey! Maybe I’ll see you there? I’ll be one of the ones with a camera around my neck! Catch you back here tomorrow!

Featured Artist… Marc Dalessio!

“Street in Korcula” by Marc Dalessio – Image: Ann Long

First, I want to mention the obvious. The look of my site has changed a wee bit. I think I have made it cleaner and easier to read. You aren’t on the wrong site, it’s me… I’ve just changed things a bit, let me know how you like (or don’t like) what you see! Personally, I love the orange vs. the red… but that’s me! My goal was to make it clear so you can see all that’s going on! Ok, enough admin stuff… on to the post!

Marc Dalessio is quite the artist AND quite the traveler. His website is so interesting, he shows his paintings, gives tips, talks about upcoming workshops (Swiss Alps!), check it out! He’s got lots of cool tips (i.e. what he does with his brushes when done painting). Definitely interesting whether you’re an artist or not! I was reading about where he lives between Florence, Italy (oh!!) and Zagreb, Croatia and travels quite a bit of the time to places all over the world, then I saw he was having a show at the Ann Long Fine Art Gallery (Charleston, SC) for the month of November 2012! So… if you’re in the area, you know where to go to see his work in person! From Ann Long Fine Art:

What’s so fascinating is that for each group of paintings you can see a clear difference in the color palette. For example, Italy the colors were much warmer. Marc has a clean painting style, I don’t know how to explain it… like his brush never gets dirty or mixed with a color he doesn’t want it to get mixed with. Hmmm, must be nice, ha ha…

Here’s a blip about Marc from the Ann Long Fine Art Gallery:

Marc Dalessio, born in 1972 in Los Angeles, California, is a naturalistic painter who at a young age has established himself as one of the foremost plein-air painters working today. 

Marc’s artistic training began at the University of California at Santa Cruz where he majored in biology and fine art. After graduating Phi Beta Kappa in 1992, he moved to Florence, Italy and trained as a portraitist for four years under Charles Cecil at his atelier. Charles H. Cecil Studios is a school of fine art that offers a thorough training in the traditional techniques of naturalistic drawing and painting. Upon completion of his first year, Marc was awarded a full scholarship, and after finishing the full course, he became an advanced painting instructor at the school. 

Articles Featuring Marc Dalessio
American Artist, 12/09 (pdf)

Currently the landscape painting instructor at the Florence Academy of Art, Marc keeps a studio in Florence, Italy but travels for much of the year. Recent painting expeditions have included Greece and Albania, Morocco, Rajasthan, Sicily, Kenya, and the Caribbean. His works are in private collections worldwide.

Did you check out the article that was in American Artist? Very good! – Catch you back here tomorrow!

An artsy halloween! Pumpkinscape by artist Jamie Wyeth…

“Pumpkinscape” by Jamie Wyeth (1980) – Image: JamieWyeth.com

I love this painting… love, love, love that fabulous orange against that gorgeous blue! The way the light hits the stem and it’s all funky and twisted. The dry sand and the wet sea… gorgeous!

Hey, did you know you can get Halloween stations on Pandora?? WooHoo! Check them out! Just type in “halloween” in the search!

PS/ you haven’t gone crazy, I just changed my theme (9:10 AM), let me know how you like it! I’m loving it… as long as you do!

Hope you all have a H A P P Y  H A L L O W E E N ! 

BOO! Catch you back here tomorrow!

Art websites with small images = frustration…

Hot topic… Its about the size (or lack thereof) of some of the art images on the Internet. Above is an example (it’s a photograph, not a painting), believe it or not lately I’ve run into images even smaller!  As an art lover and collector I scour the Internet to keep an eye on artists who’s work I love as well as looking for artists I’ve never seen or heard of. One discussion that came up on Facebook a while back was in regard to the size of images on the artist’s website. I went back through Facebook and tried to find who posted it and I couldn’t find it anywhere, I regretted not commenting. I understand why some artists are using small images, it’s because others are copying their work and selling it cheap, or in some cases it is being mass produced in other countries. There is no excuse for that. That is out and out stealing. It’s wrong, and in a perfect world it would be stopped. So let me reiterate that I UNDERSTAND WHY artists want to make their images so small they are barely detectible. HOWEVER, for people like me, who love art, who buy art, who PROMOTE art, it’s increasingly frustrating when you can’t see the image. I know someone commented on that Facebook post and said that they started adding a watermark to their images instead of making them smaller, another artist thought that was a bad idea, it takes away. It does. But, that’s my opinion…

So, my question to you is… how can artists handle this effectively? Do they make the image appear smaller and smaller, lessening the chance of someone copying it? Do they add a watermark, that potentially takes away from the image? Or do they leave it as it is so potential buyers/promoters can actually see their images, but where creepy people can copy it? Hey, I’m with everyone, I can see a case for each, however I can’t promote images I can’t see. It’s quite unfortunate that artists have these issues to deal with. I’m sure it would be nice for them to just be able to just paint! Paint, update their website, write a blog entry, update Facebook, Twitter and on and on… I realize artists don’t have time to deal with this too… Think about the majority of us, the good people who just want to be able to see the images. I think if you’re an artist who wants to use the Internet to promote and sell your art then I think you clearly have to have large images. If you use the Internet as an adjunct to perhaps being in several galleries that promote you, where you don’t really want to deal with the selling of your art, then perhaps the tiny images will work for you?

Here is an image I can actually see… and I appreciate that so much! This is just one fabulous painting by Ken DeWaard that he just painted at the Sonoma Plein Air Event- this one won Honorable Mention, congratulations Ken, you’re the bomb!

I think in the end, it comes down to trust… sometimes you just have to trust people.

Ok… let me hop down off my soapbox now, hee…

Something to ponder!? Let me know your thoughts! Catch you back here tomorrow!

Featured Artist… Alfred Peter Frank Sandford!

“Lighthouse Keeper’s House, Monhegan” by Alfred Peter Frank Sandford

You see a lot of artists paint the lighthouse on Monhegan. It’s picturesque to say the least. Alfred’s twist was so different. That loose style, bright colors and great composition really bring this painting to life! If you’re in the Wiscasset, Maine area stop in Wiscasset Bay Gallery, say hello and take a peek at some fabulous art!

Another of Monhegan… this is unbelievable… truly a masterpiece!

“Base of Whitehead, Monhegan” by Alfred Peter Frank Sandford

Here’s a blip about Alfred from the Wiscasset Bay Gallery website:

Born in London, England in 1928, Sandford studied at Enfield Technical College and began work as a draftsman. Sandford left England in the early 1950s to live in Toronto, Canada, and eventually settled in Flushing, New York in 1958 with his family. Sandford turned his attention from design and drafting work to painting in the 1960s, studying art at The New School and the Art Students League in New York City.

Sandford painted throughout New England, capturing the landscape around him through his bright and energetic acrylic paintings. He was particularly taken with Monhegan Island, and spent over thirty years painting the dramatic island landscape. Although Sandford never exhibited his art during his lifetime, his paintings are now beginning to gain recognition, and a number of his works of Monhegan Island can be found in the collection of the Monhegan Island Museum.

Wow, I’m a bit sad that he never exhibited his work while he was alive. I truly hope he knew how talented he was! This is a great artist to collect, and how wonderful is it that a number of his works will be at home at the Monhegan Island Museum!?

Catch you back here tomorrow!

Images: WiscassetBayGallery.com