
Oil on Panel 9×12″
Connie Hayes. One of my all time favorites. I’ll never forget the first time I saw her work at Dowling Walsh. I was floored. Speechless (which doesn’t happen often). Large, gorgeous paintings, one after another. It was magnificent!
Six Boats, Vinalhaven is a wonderful painting full of all the wonderful colors on Connie’s palette. She catches that perfect light which just POPS out at you against a dark background, so, so nice!
Connie is part of a show at Dowling Walsh Gallery in Rockland, Maine, along with artists Robert Pollien and David Vickery!
The show begins today June 6, 2014 with an opening reception this evening from 5-8PM. This show runs through June 28, 2014.

12 x 12″ Oil on Muslin on Panel
I am a sucker for interiors, and Connie’s are stunning. Room at Apple Farm #2 is no exception, that wonderful light spilling in the window creating those dancing shadows. LOVELY! I still go back and look at older pieces that I love (but are far beyond my price point), its fun to dream, and I do have Connie’s book, Painting Maine: The Borrowed Views of Connie Hayes (STUNNING) – if you ever see that when you’re out and about, buy it!! It’s out of print now…
There is a surprise element to this show… some of the main paintings I have not featured… just so that you will be surprised! Go look…
Fabulous, right? Love them!
To preview Connie’s show, click HERE.
Read the artist’s statement from the Dowling Walsh website, click HERE to read more about Connie as well as to see a critique of her show!
My paintings currently involve flowers, brooms, rakes, and workspaces related to gardening. Colors range from high key to very muted. I continue to be interested in glowing light, believable space, and color surprises. Greenhouses, barns, sheds and the ways tools and supplies are organized or untamed offer interiors quite unlike domesticated interiors. Tools for digging, harvesting, raking, transplanting, and organizing nature’s elements bring outside chaos into shed and barn interiors, appearing to win the game of weeding and edging of garden rooms. Portraits of flower heads present the garden’s individuals. Subject matter gives this new group of work a narrative quality, but I still like to teeter along the same edge of abstraction. The visceral quality of paint itself invites departure from explicit depiction.
All images via DowlingWalsh.com with permission…
Catch you back here tomorrow!
F L A S H B A C K !
O n e Y e a r A g o: The Sugarberry Cottage by Southern Living
T w o Y e a r s A g o: Artist: James Richards
T h r e e Y e a r s A g o: Brickmaker’s Coffee Table













