Walt Gonske, an artist from Taos, New Mexico, has some wonderful work and I am thrilled to have run across it! Ahhh, the beauty of the Internet! I have found so many wonderful artists and Walt is no exception! He’s got some nice shapes going on, some fabulous color, nice brush strokes and he kept it loose enough to leave it to your imagination… I like that a lot! Give his website a peek if you get a chance!
Walt’s work reminds me a little of Charles Movalli. Charles Movalli is one amazing painter, and a fabulous person from what I hear. You can spot one of his paintings from a mile away. He has a way of simplifying that is incredible. Matter-of-fact, I just watched a YouTube video on SIMPLICITY by Charles Movalli and it was inspirational! Check it out if you get a chance!
Read a blip about Walt from his website:
“In the past, I would have an idea for a painting and hold to that idea through to the finish. I could pretty much see the end result before I started. There were no surprises. But now my understanding of the process is that the idea is just the first impulse. From that first impulse forward, improvisation takes over. The end result is not about that first idea, but is instead a record of all those impulses along the way. Each stroke of paint carries emotion and power. I work in a loose, painterly style in part because I want the viewer to see the process and not hide it behind ‘finish;’ for the viewer to maybe even feel how a particular piece of paint was put down.
Painting is not about reproducing nature. I like the notion that art should have more to do with the communication of the artist’s emotions to the viewer through the paint itself.
My goal in the work is not to show what I know, but what I feel. The more intensely I can express emotion though paint about the subject, the more likely the viewer will respond. All I can do is make an honest effort and then accept without judgement. To remain neutral about the paintings and to not judge them as good or bad is very important to moving forward.
My best work comes when I’m able to give up control, to trust my impulses. Then the painting takes on a life of its own. When I don’t know what is going to happen next, the process becomes full of surprise and wonder.
We go to art school to learn the rules about drawing and painting. After many years of developing skills and acquiring knowledge, I know what I will get as a finished product if I control the process. What I don’t know is where it would lead and what would happen if I gave up control. This is what interests me now.
It’s a different way of thinking – or not thinking so much. To remain empty of all preconceived ideas about how a piece will turn out. It’s simply a mind-shift away from repeating what I already know and to allow that unknowable, creative spirit to come through.
That’s easier said than done of 40 years of learning how to do this thing called art. But all that stops one from stepping into unknown territory is doubt and fear. If I’m willing to give up control over my skills and ability to do things a certain way, then new forms and techniques will come to me.”
F L A S H B A C K
O N E Y E A R A G O… CFADA Fine Art Weekend Photo: Mark Horton
T W O Y E A R S A G O… Artist to watch… Elizabeth Pollie!
Catch you back here tomorrow!